renadamsart:

These are from William Kentridge’s “Trace,” which mimics his printmaking techniques with vellum pages.

quintalinvisivel:

William KentridgeDe Como Não Fui Ministro d’Estado (2012)(Vídeo)

quintalinvisivel:

William Kentridge
De Como Não Fui Ministro d’Estado (2012)
(Vídeo)

chaibrows:

grace hartigan painting

chaibrows:

grace hartigan painting

John Singer Sargent, Siesta & Group with Parasols, ca. 1907

(Source: sophistae)

darksilenceinsuburbia:

Rudolf Horacek.
 
 
and here
david:

Kurt Braunohler raised $6,000 on Kickstarter to “hire a man in a plane to write stupid things in the sky”

david:

Kurt Braunohler raised $6,000 on Kickstarter to “hire a man in a plane to write stupid things in the sky”

(Source: kurtbraunohler, via moundofclouds)

(via quay-cur)

vincentnappisketchblog:

More from The Issue That Never Was (Is/Might Be/In Progress/Months Old)…
*~*~*
http://www.youtube.com/watch?feature=endscreen&NR=1&v=oOg5VxrRTi0

vincentnappisketchblog:

More from The Issue That Never Was (Is/Might Be/In Progress/Months Old)…

*~*~*

http://www.youtube.com/watch?feature=endscreen&NR=1&v=oOg5VxrRTi0

fuckyeahillustrativeart:

by Vincent Nappi III on Tumblr!

drawpaintprint:

Lee Krasner: Gaea (1966)

Krasner reinvented her artistic style several times during the course of her career. In the mid-1960s her work took on a spirit of free invention, embodied in broad, sweeping strokes of paint—quite different from her smaller, thickly painted, and tightly controlled canvases of the late 1940s. Though she painted abstractly, Krasner rejected the notion that her painting was devoid of content—she “wouldn’t dream of” creating a painting from a fully abstract idea, she said. In works like this one, titled after the Earth goddess of the ancient Greeks, the artist claimed to be “drawing from sources that are basic.”

drawpaintprint:

Lee Krasner: Gaea (1966)

Krasner reinvented her artistic style several times during the course of her career. In the mid-1960s her work took on a spirit of free invention, embodied in broad, sweeping strokes of paint—quite different from her smaller, thickly painted, and tightly controlled canvases of the late 1940s. Though she painted abstractly, Krasner rejected the notion that her painting was devoid of content—she “wouldn’t dream of” creating a painting from a fully abstract idea, she said. In works like this one, titled after the Earth goddess of the ancient Greeks, the artist claimed to be “drawing from sources that are basic.”

To the person who defaced my business card and pinned it to my artist statement

I sold my first piece today. Fuck you.

german-expressionists:

Chronik K.G. Brücke, (1913) von Ernst Ludwig Kirchner 

(abgedruckt in dem Programm von einer Kunst Ausstellung in der Kunsthalle Bern, 1948)

see English translation here